A Most Violent Year

There has to be a sense of authenticity in a film. Authenticity is essential as conflict is in drama—it must be the essence of the film. Writer/director J.C Chandor’s third feature brings such essence up front this time, whereas in two of his previous directorial efforts (Margin Call, All Is Lost), authenticity was present, but…

Interstellar

Great films, in my opinion, must be treated as if they are incidents taking place out the window of your room. I’ve been an advocate of strict pragmatic motion pictures, although the subject matters can be just based on creativity or the truth – such treatment of the great films pertains, respectively, to all of…